![]() But Propellerhead isn’t like that!įor the longest time, Reason was a closed system. For a normal software house, this update would have been worth a full integer, and inspired a full review. To bring us up to date, we should take a trip past v6.5. There was almost nothing left for a Reason 7 update to add… except for MIDI Out functionality. Then with v6.5, last year, the wall came down, and the previously locked rack of virtual synths and effects was opened up to third-party plug-ins. Users can record to an unlimited number of audio tracks, and record-ready channels can be created in an instant.In retrospect, the release of Reason 6, with its fully integrated audio tracks, heralded Propellerhead’s move to answer critics of its closed approach. Load them into Combinators, route cables on the back, automate all parameters and experiment with the safety of undo. While not a new plug-in format, they function in a similar manner in that they “plug-in” to the rack, but retain the same hierarchy as any other Reason component. Rack Extensions open up the Reason rack to third-party developers. ![]() The ReGroove Mixer is a real-time, non-destructive groove management device that can lock all the tracks together into one unified feel, or different settings can be applied to up to thirty-two musical elements in a song. With Blocks mode, the sequencer does too, allowing the sequencing of songs using a more pattern-based approach, with the segments of the song laid out in an arrangement as individual building blocks. When creating songs, many musicians tend to think of music in terms of intro, verse, chorus, breakdown, buildup, etc. The floating window provides fast access to those detailed editing functions used all the time: quantize, transpose, note velocity, note length, and legato. Octo Rex Loop Player, Reason’s samplers, or the Kong Drum Designer.Ī fast and flexible sequencer comes with vector and tempo automation, count-in, multiple lane tracks, and Blocks mode. The sliced-up audio can also be converted to REX files for playback and further treatment in Reason’s Dr. Additionally, the software can automatically slice audio recordings into single notes or hits for further creative control to quantize a take, tweak timing to perfection, or drastically change the recording using time stretching. MIDI is handled by an External MIDI Instrument device, which is fully integrated into the Reason environment.Īutomating MIDI equipment from Reason’s sequencer or even from control voltages in the Reason rack is very simple to set up. The software includes MIDI out support to bring the sound of hardware synthesizers and beatboxes to the Reason rack. Non-destructive time stretching allows for recording first and picking a tempo later, while non-destructive pitch change is done with a mouse click. A composite editor assists in building the perfect track simply by selecting the parts that work and muting the ones that don’t. Users can record to an unlimited number of audio tracks, and record-ready channels can be created in an instant. Reason 9 includes 5,000 instrument patches, 1,000+ mixing/mastering effects, and over 3,000 loops. The included Player Devices offer MIDI insert effects including Scales & Chords, Note Echo, and the Dual Arpeggiator.Īdditionally, the Pitch Editor allows for high-quality pitch correction from within the sequence window. The software includes several workflow enhancements including Audio-to-MIDI, Bounce-in-Place, Reverse MIDI, and Split Notes with Razor tool. MIDI Controller Integration and MIDI Out.Propellerhead Reason 9 Music this educational version upgrade of the music production software Reason 9 from Propellerhead Software is a virtual studio offering synthesizers, samplers, drum machines, and effects, coupled with MIDI & audio tracks, and a dedicated mixer-based on the world-class SSL 9000K recording console.
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